The simple form and use of glass tubes subtly allude to industrial design, which strives to convey a sense of sophistication and technology at the same time. Aesthetically, the effect of sunlight and its interaction with the glass prisms is reminiscent of optical and physical arts that emphasize the play of light and shadow. This aspect leads to a dynamic experience that depends on the natural changes of daylight. In terms of gestalt, the arrangement of the glass tubes is such that the overall view from afar or up close is equally balanced and attractive.
From a functional point of view, this lighting is more than just a decorative element. The design team carefully analyzed the angles of sunlight to make the most of the natural light, which reflects a focus on sustainability and energy efficiency. The safety mechanism to prevent the tubes from moving due to wind or air currents also reflects the precision and depth of the design process. Therefore, in addition to the aesthetic aspects, its practical application is also well considered. This combination of industrial design and aesthetics is done in a way that goes beyond the primary function of the lighting as a simple lamp and becomes an environmental work of art. 
From an inspiration perspective, the design is inspired by natural forms such as waterfalls or water flows, where the long, thin glass looks like raindrops or thin streams of water. Also, its design is very similar to the Japanese minimalist style, where form and function are considered simultaneously. This style is in harmony with modern and technological spaces such as Unit B14 and interacts with its surroundings as part of a holistic philosophy.
Brand : Expolight, Optical Metaphor by Expolight, Yakusha Studio
Designers : Mykola Kabluka, Victoria Yakusha
Photo Credits : Expolight
Prize: LIT Lighting Design Award
