This lighting installation is highly critique-worthy from both industrial design and artistic perspectives. At first glance, the overall aesthetic of the lighting setup relies heavily on creating a mysterious and dreamlike atmosphere that aligns with the concept of the “Andersenian Universe.” The use of diffused and carefully orchestrated lights, along with the curved ceiling forms and architectural elements, evokes branches and leaves of trees through which light passes. This effect induces a sense of being immersed in nature, and the inspiration from nature and the fantastical world of Andersen is clear. Aesthetically, this installation is reminiscent of modern art pieces like James Turrell’s works, which play with light to create surreal and spiritual spaces.
From a functional and practical standpoint, the lighting installation is designed to harmonize with the architecture and interior space while offering multiple functions such as guidance, space creation, and atmospheric regulation. The use of curved tracks and adjustable lighting fixtures responds well to the needs of different zones, allowing for dynamic color changes and specific lighting for each area. Additionally, the use of wireless DMX systems and projectors effectively creates textual layers and special lighting effects. This creates a Gestalt-like mechanism where individuals entering the space experience a sense of immersion and interaction with their surroundings.
Conceptually, and regarding its sources of inspiration, this lighting design appears to be a fusion of digital art with naturalism. One could argue that the design draws inspiration from visual experiences in nature, such as light filtering through leaves, morning dew, or even the underwater world. The combination of these natural elements with Andersen’s imaginative world, alongside the industrial and technological execution, creates a unique atmosphere that not only tells a story but also performs with precision.
Brand : Studio ZNA
Designers : Zerlina Hughes, Dogan Kozan
Photo Credits : Rasmus Hjortshoej – COAST and Laerke Beck Johansen, H.C Andersen’s House
Prize: LIT Lighting Design Award